The emotive level and psychological attributes, are not only, confined to man but also spreads even to rivers, mountains, animals trees and creeper. While depicting the nature in his works, creeper have been given such importance that sometimes the reader gets swayed away and is compelled to think the creeper as human being. He defines the creepers, with the peculiarities, classification and sometimes taxonomy of particular creeper. A detailed and comparative study of the creeper depicted in his different works in Sanskrit are taken into consideration here with all possible minutes. Creepers occupy a distinct place in the Kāvyas especially in Kalidāsa’s works. The delicate, tender, dancing creepers arouse the reader aesthetically to a higher domain.
They create a special place be motivating and sensualizing the characters according to the demand of the plot. Their stem appear as a dancing damsel artistically climbing the trees and others. The leaves evolve to human beings, being personified, as if calling somebody and the flowers mesmerize each and everyone with their colour, shape, fragrance and what not.