Drama is regarded by Bharata as the art of reproduction by imitation (avÄsthanuká¹›tiá¹ nÄá¹yam) in other sense where the whole universe is represented by suitable actions. The Sanskrit dramatist allowed their imagination and fine histrionic sense to influence, flesh and blood into skeletons and who translated formulas into lively forms of beauty. For this purpose dramatist employed various dramatic elements like sentiment (rasa), quality (guṇa), rhetoric (alaá¹kÄra), style (rÄ«ti), metre (chanda) in their dramatic compositions. With such sort of elements and combining with fertile imagination BhavabhÅ«ti, the greatest Sanskrit dramatist composes MÄlatiÄ«mÄdhava, a prakaraṇa. Hence, in this paper an attempt is being made to analyse the delineation of various sentiments in the MÄlatÄ«mÄdhava.